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 the Mausoleum at Halicarnassus
 
       The Mausoleum
 
        
        In 377 B.C., the city of Halicarnassus was the capitol of 
        a small kingdom along the Mediterranean coast of Asia Minor. It was in 
        that year the ruler of this land, Hecatomnus of Mylasa, died and left 
        control of the kingdom to his son, Mausolus. Hecatomnus, a local satrap 
        to the Persians, had been ambitious and had taken control of several of 
        the neighboring cities and districts. Mausolus in his time, extended the 
        territory even further so that it finally included most of South-western 
        Asia Minor. 
       Mausolus, with his queen Artemisia, 
      ruled over Halicarnassus and the surrounding territory for 24 years. 
      Mausolus, though he was descended from the local people, spoke Greek and 
      admired the Greek way of life and government. He founded many cities of 
      Greek design along the coast and encouraged Greek democratic traditions.
       Then in 353 B.C. Mausolus died, leaving 
      his queen Artemisia, who was also his sister (It was the custom in Caria 
      for rulers to marry their own sisters), broken-hearted. As a tribute to 
      him, she decided to build him the most splendid tomb in the known world. 
      It became a structure so famous that Mausolus's name is now associated 
      with all stately tombs through our modern word mausoleum. The building was 
      also so beautiful and unique it became one of the Seven Wonders of the 
      Ancient World.  Artemisia decided that no expense was to 
      be spared in the building of the tomb. She sent messengers to Greece to 
      find the most talented artists of the time. This included Scopas, the man 
      who had supervised the rebuilding of the Temple to Artemis at Ephesus. 
      Other famous sculptors such as Bryaxis, Leochares and Timotheus joined him 
      as well as hundreds of other craftsmen.  The tomb was erected on a hill 
      overlooking the city. The whole structure sat in an enclosed courtyard. At 
      the centre of the courtyard was a stone platform on which the tomb itself 
      sat. A staircase, flanked by stone lions, led to the top of this platform. 
      Along the outer wall of this were many statues depicting gods and goddess. 
      At each corner stone warriors, mounted on horseback, guarded the tomb.
       At the centre of the platform was the 
      tomb itself. Made mostly of marble, the structure rose as a square, 
      tapering block to about one-third of the Mausoleum's 140 foot height. This 
      section was covered with relief sculpture showing action scenes from Greek 
      myth/history. One part showed the battle of the Centaurs with the Lapiths. 
      Another depicted Greeks in combat with the Amazons, a race of warrior 
      women.  On top of this section of the tomb 
      thirty-six slim columns, nine per side, rose for another third of the 
      height. Standing in between each column was another statue. Behind the 
      columns was a solid block that carried the weight of the tomb's massive 
      roof.  The roof, which comprised most of the 
      final third of the height, was in the form of a stepped pyramid. Perched 
      on top was the tomb's penultimate work of sculpture: Four massive horses 
      pulling a chariot in which images of Mausolus and Artemisia rode. 
       Soon after construction of the tomb 
      started Artemisia found herself in a crisis. Rhodes, an island in the 
      Aegean Sea between Greece and Asia Minor, had been conquered by Mausolus. 
      When the Rhodians heard of his death they rebelled and sent a fleet of 
      ships to capture the city of Halicarnassus. Knowing that the Rhodian fleet 
      was on the way, Artemisa hid her own ships at a secret location at the 
      east end of the city's harbour. After troops from the Rhodian fleet 
      disembarked to attack, Artemisia's fleet made a surprise raid, captured 
      the Rhodian fleet, and towed it out to sea.  Artemisa put her own soldiers on the 
      invading ships and sailed them back to Rhodes. Fooled into thinking that 
      the returning ships were their own victorious navy, the Rhodians failed to 
      put up a defence and the city was easily captured quelling the rebellion.
       Artemisa lived for only two years after 
      the death of her husband. Both would be buried in the yet unfinished tomb. 
      According to the historian Pliny, the craftsmen decided to stay and finish 
      the work after their patron died "considering that it was at once a 
      memorial of their own fame and of the sculptor's art."  The Mausoleum overlooked the city of 
      Halicarnassus for many centuries. It was untouched when the city fell to 
      Alexander the Great in 334 B.C. and still undamaged after attacks by 
      pirates in 62 and 58 B.C.. It stood above the city ruins for some 17 
      centuries. Then a series of earthquakes shattered the columns and sent the 
      stone chariot crashing to the ground. By 1404 A.D. only the very base of 
      the Mausoleum was still recognizable.  Crusaders, who had occupied the city 
      from the thirteen century onward, recycled the broken stone into their own 
      buildings. In 1522 rumours of a Turkish invasion caused Crusaders to 
      strengthen the castle at Halicarnassus (which was by then known as Bodrum) 
      and much of the remaining portions of the tomb was broken up and used 
      within the castle walls. Indeed sections of polished marble from the tomb 
      can still be seen there today.  At this time a party of knights entered 
      the base of the monument and discovered the room containing a great 
      coffin. The party, deciding it was too late to open it that day, returned 
      the next morning to find the tomb, and any treasure it may have contained, 
      plundered. The bodies of Mausolus and Artemisia were missing too. The 
      Knights claimed that Moslem villagers were responsible for the theft, but 
      it is more likely that some of the Crusaders themselves plundered the 
      graves.  Before grounding much of the remaining 
      sculpture of the Mausoleum into lime for plaster the Knights removed 
      several of the best works and mounted them in the Bodrum castle. There 
      they stayed for three centuries. At that time the British ambassador 
      obtained several of the statutes from the castle, which now reside in the 
      British Museum.  In 1846 the Museum sent the 
      archaeologist Charles Thomas Newton to search for more remains of 
      the Mausoleum. He had a difficult job. He didn't know the exact location 
      of the tomb and the cost of buying up all the small parcels of land in the 
      area to look for it would have been astronomical. Instead Newton studied 
      the accounts of ancient writers like Pliny to obtain the approximate size 
      and location of the memorial, then bought a plot of land in the most 
      likely location. Digging down, Newton explored the surrounding area 
      through tunnels he dug under the surrounding plots. He was able to locate 
      some walls, a staircase, and finally three of the corners of the 
      foundation. With this knowledge, Newton was able to figure out which plots 
      of land he needed to buy.  Newton then excavated the site and found 
      sections of the reliefs that decorated the wall of the building and 
      portions of the stepped roof. Also a broken stone chariot wheel, some 
      seven feet in diameter, from the sculpture on the roof was discovered. 
      Finally, he found the statues of Mausolus and Artemisia that had stood at 
      the pinnacle of the building.  Today these works of art stand in the 
      Mausoleum Room at the British Museum. There the images of Mausolus and his 
      queen forever watch over the few broken remains of the beautiful tomb she 
      built for him.  |